Review: Maestro guitar effects pedals

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Which Maestro guitar pedal (or combinations of pedals) do you need to create the sound you want?

We reviewed them. 

 

 

Maestro Fuzz-Tone FZ-M Pedal

Maestro created the world’s first fuzz pedal – the Maestro Fuzz-Tone FZ-1. Introduced in 1962, the Fuzz-Tone became the sound of rock and roll and a must-have accessory for guitarists everywhere after the success of 1965’s (I Can’t Get No) Satisfaction by the Rolling Stones, which prominently featured its cutting edge sound. Now Maestro is bringing the fun and sonic fury of those early Fuzz-Tones back with the new Maestro Fuzz-Tone FZ-M.


Maestro Invader Distortion Pedal

The Maestro Invader Distortion is a high-gain, all-analog modern distortion pedal with a heavy, aggressive, dominant sonic character and loads of rich harmonics. With the Maestro Invader Distortion, users can generate a wide range of distorted sounds.


Maestro Comet Chorus Pedal

The Maestro Comet Chorus pedal uses iconic analog bucket brigade device (BBD) technology to deliver warm, classic chorus tones. This all-analog pedal boasts a Mode toggle switch for increased sonic versatility.


Maestro Discoverer Delay Pedal

The Maestro Discoverer Delay is a modern analog delay pedal that proudly utilizes legendary analog bucket brigade device (BBD) technology to deliver classic, warm, and inviting delay sounds.


Maestro Ranger Overdrive Pedal

Inspired by the overdriven tones of some of the world’s most cherished vintage tube amps, the Ranger is a modern, all-analog overdrive pedal featuring a Mode toggle switch that provides two different tonalities; a warm, expressive, amp-like overdrive and a second tonality that’s slightly cleaner and exceptionally touch-sensitive; it blends in some of the clean signal and is a great choice for use as an “always on” effect that can be controlled with your pick attack and your guitar’s volume control.

How to recycle guitar strings and other guitar equipment

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Playing guitar – like any hobby – can produce a decent amount of waste. From disposing of old strings, to getting rid of instruments once they’re past their prime – here’s how to recycle your guitar parts in an environmentally-friendly way.

 

Strings 

You should be changing your guitar strings regularly – but what do you do with the old ones?

Guitar strings, with the exception of nylon strings, are made from metal, and can be recycled. You can take old strings to your local scrapyard to be recycled, and you might even make some money off of it, since many scrap yards offer compensation for metal junk. Your best bet is to save up a collection of old strings and recycle them all at the same time. 

D’addario also offers a string buyback program, which lets you take your old and unwanted to strings to one of their partner locations for recycling. Click here to learn more. 

 

Amps/gear 

Every guitarist has gone through some destroyed amps, fried pedals, and other broken gear. Instead of tossing it, consider putting it for sale on sites like Reverb or Craigslist. Even broken gear has a market – Reverb has a special category for non-functioning gear. Enterprising tinkerers might be able to repair the gear for sale, or else use parts for projects. 

If you don’t get any bites, you can also take the gear to a scrap yard. 

 

Unwanted/broken guitars

Unfortunately, guitars don’t last forever. If you find yourself with old, unwanted guitars, here are a few things to do with them: 

Donate them: Many programs, including Guitars Not Guns, Music is Art, and Guitars 4 Vets collect used instruments and put them in the hands of those who need them. Most organizations accept only functional used guitars, so if yours is damaged or broken, check with the organization’s guidelines. 

Sell them: There’s likely someone out there who wants the challenge of fixing up an old guitar – or who needs parts! 

Trade them in: Several retailers offer buyback programs for used gear. Check out these options (but make sure to read all of the details):

Get crafty: There are plenty of cool ways to repurpose an old guitar – as a planter, birdhouse, and more! Check out this guide to guitar crafts. 

Recycle them: Electric guitars are e-waste. Check your local government’s guide to recycling e-waste in your area. 

Introducing – Fret Zealot 2

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Your guitar goals are at your fingertips with Fret Zealot 2! 

The LEDs of Fret Zealot 2’s LED strip are 200x brighter than the original version, making it that much easier to see chords, arpeggios, riffs, and more! 

Here’s what else is new with the Fret Zealot 2: 

LED System 

Magnetic Detachable Connector

Thin and Smooth “spine”

Improved Protective Coating

Music Responsive Light Shows

Smooth LED transitions (fading)

Customizable Light Shows

  • Controller / Battery
    Onboard Piezo / MEMS Microphone
    Gesture Control via Accelerometer
    Smart press-button on/off switch
    Pre-built light shows (no app needed)
    Bluetooth 5 (LE)
    USB-C charging
    Smaller Size

Jam With 250,000 Song Tracks!

The Fret Zealot song library has pretty much any song you’re looking for. If it doesn’t, you can upload your own Guitar Pro files.

Once you’ve chosen your song, you can slow it down (fully adjustable BPM), loop sections, select different tracks (lead guitar, rhythm guitar, bass guitar, etc.), or use AI Mode to have the tab wait for you to play the correct note or chord before moving on.

The Fret Zealot 2 fits on almost any full-size guitar, and comes in 24.75” and 25.5” lengths. It partners with the Fret Zealot app on iOS or Android, where you can find 4,000 video lessons, 250,000 song tracks, and every chord, note, and scale. 

Installation is simple and takes 10 – 15 minutes. Just follow our video guide!

 The tape adhesive is not permanent. Reach out to our team at [email protected] any time if you have questions. Responses guaranteed within 1 business day.

 Order yours today. 

 

A brief history of the guitar

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How old is the guitar, exactly?

Stringed instruments, played with two hands, pre-date written history. Two of the main forebears of the guitars we know today are the oud and the lute. 

The oud dates back to ancient Persia (originally called the barbat), and was used throughout the Middle East. The oud has a pear-shaped body, a fretless fingerboard, and a short neck. Its name in Arabic, ūd (“wood”), refers to its body, made of aloe wood.

“Oud (Institut du Monde Arabe, Paris)” by dalbera is licensed under CC BY 2.0.

The lute is descended from the Middle Eastern oud, brought to Europe through Spain in the 8th and 9th centuries. During the Medieval Period, the lute usually had five strings that were played with a quill as a plectrum. In the late 15th century, lutists mostly abandoned the quill and plucked with their fingers, as sixth (sometimes more) strings were added. 

“File:A Woman Playing the Theorbo-Lute and a Cavalier MET DP145907.jpg” by Gerard ter Borch is marked with CC0 1.0.

By the 16th century, Spanish musicians started to use string instruments that more closely match the curved guitars we recognize today. They were known as baroque guitars and featured five “courses” (strings) and movable frets. 

These guitars, known as Baroque guitars, effectively replaced the lute as the go-to stringed instrument for musicians from about 1600 to 1750. Further refinements, such as five courses of gut strings and moveable frets, made these instruments easier to play.

“Tielke baroque guitar” by Jo Dusepo is licensed under CC BY-SA 4.0.

By the 1790s, a sixth course was added to Spanish guitars, and a standard body type was established (although it was smaller than modern guitars). 

In the mid-1800s, Spanish musician and luthier Antonio de Torres Jurado created the guitar design that resembles the modern classical guitar. It featured a wider body, a thinned belly, and had machined heads instead of wooden tuning pegs. The strings were split evenly between gut (now plastic or nylon) and metal-spun silk. 

In the United States, the guitar continued to develop. Christian Frederick Martin, who was born in Germany, created the flat top acoustic guitar in the U.S. in the 1830s, which was designed to handle the extra tension caused by modern steel strings. 

The harder, tighter steel strings required musicians to change up their playing style from the delicate, plucked melodies of a classical guitar. Many started using picks, which helped to popularize chord-driven music. 

 Despite the popularity of picking, early guitars still often got drowned out in the mix during the big band jazz era. Innovative musicians tried to use attached microphones or telephone transmitters to increase the volume of the guitar. The first commercially available electric guitar – as we know it today – was released in 1931. 

The Rickenbacher A-22 Electro Hawaiian – also known as the “Frying Pan” was created by George Beauchamp and Adolph Rickenbacker. The guitar included an electromagnetic device that changed the strings’ into a clear resonant sound. Although Rickenbacher and Beauchamp won the first patent for the electric guitar, there were plenty other inventors who worked on electrifying guitars – including        , who designed the solidbody design for Gibson Guitars, Leo Fender, who created the Fender Telecaster in 1951. 

“File:Rickenbacher Frying Pan (clone), short scale, 22 fret – 2011 TSGA Jamboree.jpg” by brad_bechtel is licensed under CC BY 2.0.

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Sources: 

Musicians Institute: Guitar History: How the Guitar has Evolved

Britannica – Guitar 

Metropolitan Museum of Art – HEILBRUNN TIMELINE OF ART HISTORY – ESSAYS

Yamaha Corp – The birth of the classical guitar