Talking guitar with Jake from At The Helm

Buffalo, NY-based band At The Helm has been making music together for years. Now, they’re teaming up with Fret Zealot to teach their music to you. Jake Hassler, who plays electric guitar for the band, sat down with Fret Zealot to talk about the band, their upcoming new album, and all things guitar. 

 

Q.) Tell me about At The Helm. 

A.) I don’t necessarily like a bunch of labels. It’s rock and roll that everyone can get into. We touch on a lot of genres. Nowadays, that’s the only way to do it. I feel like it’s not really an era to box yourself in anymore. We were working on a song yesterday with a dance type of vibe and then we have some dark stuff. There are a lot of punk aspects to what we do. We have an acoustic guitar and an electric guitar, bass drums, and a great vocalist. Pretty much whatever we can make with all those things is what we stick to. 

Q.) Do you write your own music?

A.) Yeah, mostly. We do covers for fun, and people really love to hear something they know. We do the best we can to get our music in their heads. The goal is to write music and have people listen to it and like it, buy it, come to shows. 

 

Q.) What are your songwriting inspirations? 

A.) Our writing process is very collaborative. Gus is our other guitar player, he plays acoustic. He usually comes up with the main structure of the song, an idea and a rhythm in mind. He’s been doing this for a really long time, he knows what sounds good. Gus comes up with a structure, keeps it kind of loose at first, and then we see where it goes all together. 

 

Rob (drums) wrote the first part of the guitar solo in Broken Words. That was his idea! I took that. 

 

That’s how we work, someone might have an idea of what to do with the drums. 

 

Mike is our vocalist. He has a lot of ideas for guitar harmonies. He came up with the guitar harmonies in “Broken Words”.  We have ideas, mash them all together, answer trying to be in service of the song. Mike hears harmonies, he’ll suggest those things, and  he has a big input on the lyrics. 

 

Mario is an amazing bass player who has been around for a long time. He really helps everything move along and keeps everyone together. He’s definitely the glue. 

Q.) How long have you been together as a band?

A.) We’ve had a bunch of incarnations of the band and lineup changes.  Since Mike came into the picture, we’ve been together for three or four years. Me, Mario, Gus and Rob have been together for a while longer. It took us some time to find Mike and get him in. When he’s playing with us, something happens, it all comes together 

Q.) Have you been on tour as a band?

A.) We have not gone on tour. We all have jobs and families – the easiest thing to do right now with everyone’s situation is to play regionally. 

 

Q.) And you’ve been live streaming some of the tracking for your new album on Twitch?

A.) Gus has been streaming the live tracking of what will be our next album. Gus has all the equipment, the experience, he knows what he’s looking to hear so we’re ready to try it ourselves. 

 

Q.) When is the new album coming out?

A.) There’s no estimated release date for the album. We have most of them pretty much down, there’s a lot of recording/mastering left to be done so we can’t say an actual date. Hopefully by the end of the year. 

 

Q.) What is the feel of the new album?

A.) It’s different, not the same as we did before. There are a lot of new genres of music we touch on this time around that we didn’t so much on the last album. The sounds will be more consistent. We had a bunch of types of music happening on the first album, and now it’s just going to open up wider. Another step into the journey of what we’re doing here. 

 

Q.) How long have you been playing guitar?

A.) I’ve been playing guitar since I was 13. I’m 35 now, so 22 years. 

 

Q.) What got you into it?

A.) When I was younger I was always into it when I saw someone playing. I remember when I was six  years old, my dad bought me this jazz acoustic guitar. My brother got mad at me and smashed it. Then he got into guitar when he was 16 and I was 12, and it got me back into  it. I really think I always knew I liked it, but at that time it was about being like my brother. I was into metal –  Metallica and System of Down, rock and roll. That was the initial thing – metal guitar solos and stuff like that. I had an acoustic for the longest time and my dad bought me an electric like a year later and it’s stuck with me ever since. 

 

Q,) Did you take any guitar lessons?

A.) I took lessons in the back of guitar magazines, looked up tabs online, some online guitar lessons but not interactive – like Truefire stuff – to kind of learn about theory. That’s what I’m working on now.  I never touched on theory my whole life and now I’m learning how valuable it is and what a good tool it can be. 

I did take lessons from a guy here in Buffalo but I just wanted to learn to sweep pick, so I had like ten lessons with him and he showed me each chord throughout the whole scale.

 

You think (learning theory) is going to make guitar seem like work, so I totally understand not wanting to do it, but once you learn enough about it, music theory is just an invaluable thing to know. It’s a great tool. 

 

Q.) What do you think of the Fret Zealot system?

A.) It looks really cool! It’s kind of impressive that it doesn’t hinder your playing at all. 

 

Q.) What made you want to stick with music?

A.) I didn’t really have much else I was good at when I was a kid and this was something I could be good at. I figured out I could be good at it. And that gave me confidence. It also looks really cool. 

 

It’s really satisfying learning anything and getting good at it. I think that’s a huge part of being happy in life. I always wanted it to be my thing, and I was like “I’m going to work at this until it is”.  Luckily, here we are. It’s a great thing if you’re a shy kid like I was – kind of socially awkward, didn’t really play sports. Then you get good at it and someone sees you play and is like “whoa”, and you’re just thinking “it’s really not that hard, man”. It’s something that happened very early. It’s always been around. 

 

I have a real issue with buying gear and guitars. I always tell my wife, some guys are into cars, I’m into guitars. I like gear. I just kind of fell into it but it’s super reading for anyone who gets into it and has the discipline to stick with it. It’s a really rewarding thing to be involved with. Hard work pays off and this is a perfect example.  If you practice practice practice you can do whatever you want with the guitar. 

 

Q.) What advice do you have for someone who wants to learn guitar?

A.) Take a song you really like and learn it – or don’t. You need to be really into the music to stick with it. I wouldn’t pick anything difficult. I think one of the reasons I stuck with it was I thought System of a Down was the coolest thing. The songs are hard enough that they challenge you, but they’re easy enough that it’s not an insurmountable difficulty. When you learn the song and you do it, and you play along – that’s what I used to do, crank up the music and guitar and see if I could get it to lock in – whenever that would happen, I would keep playing it until it happened, and when it did, it’s super rewarding. You’ll stick with it then. 

 

Check out “Broken Words (Won’t Heal the World)” on Fret Zealot here! 

You can listen to At The Helm on Spotify, and follow them on Instagram, Facebook, and Twitter.

REVIEW: Epiphone Slash “AFD” Les Paul Special-II

Shane tried out the Epiphone Slash “AFD” Les Paul Special-II, available from the Fret Zealot store with the Fret Zealot system installed.

Here’s what he thought:

AFD – that means “appetite for destruction”. Are you hungry?

I am, for this sweet guitar. This is the Slash Signature model from Epiphone.

It stands out. We’ve got some really excellent premium features including the white binding around the body. It’s pretty hard to ignore but we’ve got a really interesting color scheme with this butterscotch, flame maple top. It’s a really high-quality looking piece and then we have a really interesting contrast with the cherry red on the back and you see that on the back of the neck as well.

In terms of the electronics, this guitar has some really nice ceramic pickups and modern humbuckers by Epiphone. For control you have your volume and your three-way selector that gives you treble, rhythm and both. Tone knobs, classic Epiphone bridge, hard tail style, and this one is a bolt-on neck. Really nice tones coming out of this instrument, I find it easy to channel some classic rock and blues sounds, some sounds you’d associate with the man himself (Slash).

It’s got some really cool personalization – the Slash top hat insignia on the neck, rosewood fretboard, and jumbo frets. They definitely feel substantial to play with and they won’t wear down as fast because they’re jumbo.

When I took this guitar out, one thing in particular caught my eye. That’s right, it has a built-in tuner in the pickup. At first, I was confused but then I realized what it was. I’m really interested in this feature, I would like to see more guitars with it. I find it really useful. It’s a nice tuner, it seems to be built right into the pickup. There’s actually a battery compartment in the back, it takes a small watch battery.

Throughout the guitar, you get a lot of Slash personality, a lot of classic rock vibes, but this guitar doesn’t overly saturate you with the artist model. It gives you enough room to kind of bring out your own personality. The pickups are a zebra style, which is a really iconic look and even the knobs are top-hat style.

All around, a super fun guitar, super snappy and responsive to play. I find the tones really clear, the pickups respond great to distortion but also clean up incredibly well. It’s a versatile instrument. I think this would go anywhere from jazz to hard rock. I had fun tuning it to drop D to play some heavier riffs. It’s a great guitar for someone looking for a higher-end Epiphone in the beginner line. This guitar comes in a performance pack with an amp and the outfit pack. They both have the same guitar, but the other items in the pack are different. You can check them out on our website.

When you buy it on the Fret Zealot website, it comes with the Fret Zealot LED system, you can set it up with this guitar and start exploring the Slash songs on the app. That’s how I learned how to play the riff for “Sweet Child of Mine”, I actually didn’t know how to play it before.

You can check out the Fret Zealot Slash player study here! 

Songs of the Summer through the years

Here in the U.S., the warmer months are marked by a “Song of the Summer” – an inescapable hit that’s heard over radio airwaves, on restaurant patios, and at parties and barbecues. 

You can try to escape the Song of the Summer, but it’s likely that you’ll know at least some of the lyrics by the time Labor Day rolls around! 

Here are some of the top Songs of the Summer from years past. Which are your favorites?

2021:  — Olivia Rodrigo “Good 4 U”

This track off of singer/songwriter (and former Disney star) Olivia Rodrigo’s debut album was streamed on Spotify more than 600 million times globally in summer 2021, making it the de facto song of the summer. Hayley Williams and Josh Farro of Paramore were given co-writing credits after the fact due to the song’s similarity to Paramore’s 2007 song “Misery Business”.

 

2019:  Lil Nas X Featuring Billy Ray Cyrus — “Old Town Road

Rapper Lil Nas X’s debut single entered the Billboard charts in March 2019 after going viral on TikTok. A remix with country singer Billy Ray Cyrus was released in April of that year. The song also made it to No. 19 on the Billboard Hot Country Songs chart before being disqualified, sparking a debate about what country music is. Lil Nas X had purchased the beat from Dutch producer YoungKio for $30, and it sampled Nine Inch Nails “34 Ghosts IV”. NIN’s Trent Reznor granted clearance to use the beat shortly after the song started gaining popularity.



2017: Luis Fonsi and Daddy Yankee, featuring Justin Bieber – “Despacito (Remix)”

The remixed version of Luis Fonsi and Daddy Yankee’s “Despacito” was the first primarily-Spanish song to be at the top of the Billboard Hot 100 since “Macarena” in 1996. The song has been credited by music journalists for helping bring Spanish-language pop music back to the mainstream market. English musician Ed Sheeran told Billboard Argentina in June 2017 that he wanted to do a remix of the song, but lost out to Justin Bieber.



2016: Drake Featuring WizKid & Kyla – “One Dance”

Drake’s dancehall anthem, a style departure for the rapper, spent a whopping nine weeks in the number one spot. It was the first song to ever reach over one billion streams on Spotify, and was the platform’s most-streamed song until Ed Sheeran’s “The Shape of You” in Sept. 2017. Drake tapped English artist Kyla and Nigerian musician WizKid to appear on the song. It was produced in just one week and quickly released in April 2016 – since another dancehall-inspired Drake song, “Controlla (ft. Popcaan)” was leaked earlier that year.



2012: Carly Rae Jepsen – “Call Me Maybe”

“Call Me Maybe” introduced the world to Canadian singer-songwriter Carly Rae Jepsen – and it was brought into the mainstream thanks to a tweet from fellow Canadian Justin Bieber. Jepsen, who won third place on the fifth season of “Canadian Idol”, told AOL Music in 2012 that she saw almost overnight stardom when the pop star and his then-girlfriend Selena Gomez tweeted their appreciation of the song after hearing it on a Canadian radio station. Jepsen was signed to Bieber’s record label shortly after. “Call Me Maybe” was on the top of the charts for nine weeks that summer. 



2009 :  Black Eyed Peas – “I Gotta Feeling”

The Black Eyed Peas dominated summer 2009. Their track “Boom Boom Pow” spent five weeks in the top spot, followed by “I Gotta Feeling”. The David Guetta-produced song was a staple at parties, clubs, and airwaves all summer, spending nine weeks on top of the charts. Group leader will.i.am told Marie Claire in May of that year, “It’s dedicated to all the party people out there in the world that want to go out and party. Mostly every song on the Black Eyed Peas record is painting a picture of our party life.”

 



2007: Rihanna Featuring Jay-Z – “Umbrella”

One of Rihanna’s biggest songs ever, “Umbrella” could have been a Britney Spears song. The songwriters had the pop princess in mind when they wrote the track, but her label rejected it. They also pitched it to English singer-songwriter Taio Cruz and American R&B legend Mary J. Blige. The track was a huge hit for Rihanna and spent seven weeks in the top spot. It also had the biggest debut on iTunes at the time, breaking the record held by “Hips Don’t Lie”.



2006: Nelly Furtado Featuring Timbaland- “Promiscuous”

“Promiscuous”, which included a “back and forth” feature from rapper/record producer Timbaland, was Nelly Furtado’s first number one hit in the U.S. Furtado and co writer Timothy “Attitude” Clayton nicknamed the track “The BlackBerry song” since the lyrics were all phrases that could be text messages. “Promiscuous” spent six weeks at the top spot on the charts starting in July 2006.

2003: Beyoncé Featuring Jay-Z – “Crazy In Love”

Producer/songwriter Rich Harrison penned the lyrics for this huge smash off of Beyonce’s debut album in just two hours (while dealing with a hangover). Beyonce wrote the bridge (also the title of the song), and her future husband, Jay-Z, improvised his rap verse in about ten minutes. The song spent eight weeks at the top spot that summer.

2001: Christina Aguilera, Lil’ Kim, Mya & Pink – “Lady Marmalade”

These four performers teamed up on a revamped version of Labelle’s 1974 song for the Moulin Rouge soundtrack. It held the No. 1 spot for five weeks and was the third airplay-only song in the chart’s history to hit No. 1 without being released in a major, commercially available format.



1998: Brandy & Monica – “The Boy Is Mine”

R&B singers Brandy and Monica teamed up for this chart-smashing track, which was inspired by Michael Jackson and Paul McCartney’s 1982 song “The Girl is Mine”. It was the top-selling song in the U.S. in 1998 and became only the second song in the chart’s history to jump straight to No. 1 from below the Top 20. The Beatles were the only other artists to do this, when “Can’t Buy Me Love” jumped to No. 1 from No. 27.



1994: All-4-One – “I Swear”

Country singer John Michael Montgomery had a country hit with this song in 1993 – and when R&B boy band All-4-One put their spin on it, it became a certified smash, staying 11 total weeks in the number one spot.



1991: Bryan Adams – “(Everything I Do) I Do It For You”

The lead single for the movie Robin Hood: Prince of Thieves was Canadian singer-songwriter Bryan Adams’ most successful song. It made the number one spot on charts in at least 19 countries, and spent six weeks at the top of the charts in the U.S.

1990: Mariah Carey – “Vision Of Love”

“Vision of Love” introduced the world to singer-songwriter Mariah Carey – and her iconic “whistle” register. Carey started writing songs in high school. She wrote an early version of “Vision” with drummer/songwriter Ben Margulies, then called ““Here We Go Around Again”, for Carey’s demo tape. The track was revamped and recorded once she signed with Sony, and the result spent four weeks at the top of the charts.



1986: Madonna – “Papa Don’t Preach” 

Madonna is no stranger to controversy, and the second single from her 1986 album True Blue stirred up plenty. The lyrics – inspired by the teenage gossip that songwriter Brian Elliot heard outside of his L.A. recording studio – talk about teenage pregnancy and the tough choices that accompany it. Feminist groups and family planning organizations criticized the singer for encouraging teenage pregnancy, while Tipper Gore from the Parents Music Resource Center, who previously castigated Madonna for her single “Dress You Up”. praised the message of the song. Controversy aside, the song proved to be the singer’s fourth No. 1 hit and spent two weeks in the top spot.

1983: The Police – “Every Breath You Take”

The Police and Sting’s signature song, “Every Breath You Take” swept the summer of 1983, sitting on top of the Billboard Hot 100 singles chart for eight weeks. Sting penned the track in the Caribbean at James Bond author Ian Fleming’s Goldeneye estate. 

He told The Independent in 1993, “I woke up in the middle of the night with that line in my head, sat down at the piano and had written it in half an hour. The tune itself is generic, an aggregate of hundreds of others, but the words are interesting. It sounds like a comforting love song. I didn’t realize at the time how sinister it was. I think I was thinking of Big Brother, surveillance and control.

In May 2019, Broadcast Music, Inc. recognized the song for being the most-played song in radio history.



1982: Survivor – “Eye Of The Tiger”

Survivor’s only chart-topper, “Eye of the Tiger” brought the “thrill of the fight” to MTV and radio stations in summer 1982. The track was the theme song to Rocky III, and was recorded at Sylvester Stallone’s request after Queen denied him the use of “Another One Bites the Dust”. It was No. 1 on the Billboard Hot 100 chart for six straight weeks and 15 consecutive weeks in the top ten.



1979: Donna Summer – “Bad Girls”

The summer of 1979 belonged to Donna. The disco queen’s album of the same name stayed on the top of the charts for six weeks during the summer, and the singles “Hot Stuff” and “Bad Girls” both were number one hits. According to Stereogum, “Bad Girls”, a sympathetic ode to sex workers, was inspired after Summer’s secretary had been stopped by police on Sunset Boulevard.

1976: Wings – “Silly Love Songs” 

“Silly Love Songs”, from Paul McCartney’s post-Beatles group Wings, was a tongue-in-cheek response to criticism against McCartney for writing airy love songs (including from John Lennon). It held the number one spot on the Billboard Hot 100 for five non-consecutive weeks and was the top pop song in Billboard’s Year-End charts for 1976. The track was McCartney’s 27th “number one” as a songwriter and is the all-time record for most number one hits by a songwriter, according to Billboard Hot 100.

1975: Captain & Tennille – “Love Will Keep Us Together”

This song was the title and lead single of husband-and-wife duo Captain and Tenille’s first album, but it wasn’t penned by the pair. It was written by collaborators Neil Sedaka and Howard Greenfield. Sedaka said that he took the main chord progression from The Beach Boys’ “Do It Again” – both “Captain” Daryl Dragon and Toni Tennille played with The Beach Boys as keyboardists. They acknowledged Sedaka on the outro of the track by including the phrase “Sedaka is back”. Captain and Tennille’s version held the number one spot on the Billboard Charts for four weeks that summer, and was the best-selling single of 1975 in the U.S.



1971: Carole King – “It’s Too Late”/”I Feel The Earth Move”

This double lead single off of singer/songwriter Carole King’s album Tapestry spent five weeks in the number one spot on the charts in midsummer 1971! Although King’s record label chose “I Feel the Earth Move” as the A-side, DJs and listeners both seemed to prefer the slower “It’s Too Late”.

What do you think the song of the summer for 2022 will be? Let us know on social media!

READ MORE: 

Songs that became popular – again – through movies and TV

The most commonly misunderstood song lyrics

“Running Up That Hill”, “Master of Puppets” and other songs that became popular again through movies and TV

WARNING: This post contains mild spoilers for “Stranger Things Part 4”. 

Sometimes, popular movies and TV shows can help resurrect songs that were released decades ago and push them back up to the Top 100 charts.

Over Memorial Day weekend 2022, the premiere of Netflix’s “Stranger Things Part 4” helped propel English singer Kate Bush’s 1985 hit “Running Up That Hill” into the No. 1 spot on iTunes, after the song was heard playing from a main character’s Walkman.

The premiere of “Stranger Things Part 4 Volume II on July 1 helped shoot “Master of Puppets” to the top of iTunes’ Top 100 Rock Songs. According to Billboard.com, streams for the band’s music have shot up 400 percent from June 30 (the day before Volume II was released).

Here are some other songs that received a second shot of fame after being used in popular media:

Ben E. King – “Stand By Me” 

This 1961 song has been covered over 400 times by recording artists including John Lennon, Tracy Chapman, and Florence + the Machine. Although it was a number four pop hit when it was released, the track re-entered the Billboard 100 chart in 1986 when it was featured in the soundtrack of “Stand By Me”, a movie based off of Stephen King’s story “The Body”.

 

Journey – “Don’t Stop Believin’” 

Journey’s 1981 hit “Don’t Stop Believin’’” has never REALLY left the public consciousness – this smash is still a karaoke favorite and a regular feature of classic rock radio stations. But it enjoyed a surge of popularity in 2007 when it was used in the controversial final scene of HBO’s The Sopranos’ series finale. Downloads of the song spiked after the episode aired and prompted Journey to find a new lead singer (former singer Steve Augeri left the band in 2006 due to ongoing vocal problems).

 

Fleetwood Mac – “Dreams”

TikTok has had a hand in making lots of songs reach viral popularity in the past couple of years. “Dreams”, released in 1977, was a huge hit in its own right, topping the Billboard Hot 100 when it was released. In 2020, Idaho resident Nathan Apodaca shared a video of himself longboarding while sipping Ocean Spray and lip syncing along to the track. The clip went viral – and also tripled sales of the song. 

 

Badfinger – “Baby Blue”

“Baby Blue” was Welsh group Badfinger’s last Top 20 single. It was released in the U.S. as a single in 1972. When the song was featured in Breaking Bad’s explosive series finale in 2013, it received a huge dose of popularity. The song was purchased over 5,000 times the night of the broadcast, and it was on the Billboard Digital Songs chart later that month. The song also charted for the first time in England following the finale.

Dick Dale – “Misirlou”

“Misirlou” is an Eastern Mediterranean folk song with a long history of being performed by Greek, Arabic, and Jewish musicians. In 1962, guitarist Dick Dale popularized the song in the West with a surf-rock cover. In 1994, Dale’s version was used in the opening credits of Pulp Fiction. It was featured on the movie’s eclectic soundtrack, which went to #21 on the Billboard 100 that year.

Queen – “Bohemian Rhapsody”

Queen’s 1975 six-minute “mock opera” dominated the charts in England and took the number one spot in a dozen other countries when it was released – but in the U.S., it never made it past #9. When Wayne’s World came out in 1992, the car scene featuring “Bohemian Rhapsody” helped shoot the track to #2 on the Billboard chart. Queen guitarist Brian May told the BBC in 2015 that “there was a time when we completely owned America, and we would tour there every year. It seemed like we couldn’t go wrong. And then we lost America for various reasons, which are now history. … Freddie [Mercury] had a very dark sense of humor. And he used to say, ‘I suppose I’ll have to die before we get America back.’ And, in a sense, that was what happened. And it was Wayne’s World, which came completely out of nowhere, that made it happen.”

That’s not the only assist the song has had from the silver screen – the 2018 band biopic Bohemian Rhapsody helped it to become the most streamed song from the last century.

The Beatles – “Twist and Shout” 

Director John Hughes put this track by the Fab Four back into the charts with his 1986 movie “Ferris Bueller’s Day Off”. The teenage protagonist of the film stirs up the crowd at a parade when he jumps on a float to lip sync the 1964 hit – which spent 16 weeks on the charts when it was released, but jumped back onto the Billboard Hot 100 for another seven weeks in 1986 after the film’s release! The resurgence in popularity made “Twist and Shout” the Beatles’ longest charting Top 40 song.

The most commonly misunderstood song lyrics

Bad radio quality or just less-than-optimal listening conditions can result in misunderstood lyrics – sometimes to hilarious effect. 

Here are some of the top misunderstood lyrics, and what the songs ACTUALLY say.

 

Song: “Smells Like Teen Spirit” by Nirvana 

People heard: ‘Here we are now, in containers’.

The song actually said: ‘Here we are now, entertain us’.

Song: “Another Brick in the Wall” by Pink Floyd
People heard: “No dogs in the chasm in the classroom”
The song actually said: “No dark sarcasm in the classroom”

Song: “Dancing Queen” by ABBA
People heard: “See that girl, watch her scream, kicking the dancing queen” / “Dancing queen, feel the beat from the tangerine”.
The song actually said: “See that girl, watch that scene, dig in the dancing queen”/“See that girl, watch that scene, dig in the dancing queen”.

Song: “Blank Space” by Taylor Swift
People heard: “All the lonely Starbucks lovers”.
The song actually said: “Got a long list of ex-lovers”.

Song: “Purple Haze” by Jimi Hendrix
People heard: “Excuse me while I kiss this guy”.
The song actually said: “Excuse me while I kiss the sky”.

Song: “Rock and Roll All Nite” by KISS
People heard: “I want to rock and roll all night and part of every day”
The song actually said: “I want to rock and roll all night and party every day”.

Song: “Chasing Pavements” by Adele

People heard: “Or should I just keep chasing penguins”.
The song actually said: “Or should I just keep chasing pavements”

Song: “We Built This City” by Starship
People heard: “We built this city of sausage rolls”.
The song actually said: “We built this city on rock ‘n’ roll”.

Song: “Tiny Dancer” by Elton John
People heard: “Hold me closer, Tony Danza”.
The song actually said: “Hold me closer, tiny dancer”.

Song: “Sweet Dreams” by Eurythmics
People heard: “Sweet dreams are made of cheese”.
The song actually said: “Sweet dreams are made of these”.

Song: “Dirty Deeds” by AC/DC
People heard: “Dirty deeds and the thunder chief.”
The song actually said: “Dirty deeds and they’re done dirt cheap.”

Do you know of other songs with frequently misunderstood lyrics? List them in our comment section!

READ MORE:

How to protect your hearing while playing music

Songs you can play with just three chords

REVIEW: Dean Vendetta XM review – a great, cheap electric guitar?

Shane tried out the Dean Vendetta XM electric guitar, available from the Fret Zealot store with the Fret Zealot system installed. 

Here’s what he thought: 

“This is a sweet electric guitar from the Dean Vendetta line. There are two different versions to choose from – the Tremolo, which includes the whammy bar, and then the hardtail version. Both come in the natural satin finish – it’s got a deep red look to it and is very stylish, as well as the black hardware throughout. It’s definitely got a rocker vibe to it and I’m really enjoying the playability as well. Everything down to the dome knobs with the knurling on the side. That’s a nice touch in my opinion. It’s outfitted with two Dean humbucking pickups and a three-way selector for your bridge. The body is made of poplar, the neck is maple on the back with a black walnut top and a black headstock with a neat, finished look and a bit of curvature on it, with the Dean logo wings and “Vendetta” written across the top. The black hardware on the top as well gives it a really nice look.

This guitar speaks to my inner rock/metalhead. I think it will serve you well in a variety of genres, but you’re gonna get that humbucking pickup sound, so it’ll be a little thicker. It’s definitely something I think is across the board designed as a rock instrument, all the way up to having 24 frets on the guitar, so you get two octaves of playing on each string, and the various little features. The cutaways are very comfortable, suited more to performance playing, which I’m really enjoying. Regardless of your level of playing, I think this guitar is going to do well if you’re looking for an instrument that performs well, and a rock instrument, and a lower price range. This guitar comes at a very affordable price for the different features we see across it. Having 24 frets is awesome, I’m really enjoying the sound, the hardware, as well as just the feel when you’re in the upper frets. There are some nice contours on the instrument that make it easier to play. Definitely comfortable, easy to play, not quite the thin-style neck some people might anticipate on a shred guitar. These pickups sound really good, I’m really enjoying the two different tones I get from each one. The sound is typical of what you expect from humbucking pickups like this.

The Fret Zealot store has both styles available. This is the XMT, the other option is the hardtail version with the string-through design. That’s a good option for those who aren’t keen on the whammy bar and want more tuning stability. It will give you less room for the tuning to move around and more stability for your playing. It’s also a pretty common for people who want to do drop tuning.

If you buy the Dean Vendetta in the Fret Zealot store, it comes with the LEDs already installed, so you can get right into learning your favorite songs.”

Looking for an acoustic? Check out our review of the Yamaha FG800.

Talking guitar with Jess Novak

Jess Novak, a Syracuse, N.Y.-based singer/songwriter who heads up pop-rock-soul outfit Jess Novak Band, has had her music played on radio stations across the country. She recently partnered up with Fret Zealot to teach her original songs to users. 

Find the lesson for “Lucienne” here!

We sat down with Jess to talk about making it as a musician, her influences, and more.

How long have you been playing music?

I started playing the violin when I was 7, so a very long time. I started playing professionally in a band ten years ago, in 2012. 

 

What instruments do you play?

Violin, guitar, piano. It depends. I always have the guitar and violin. Piano depends on space. When I’m solo or in a duo, I use foot percussion to keep the beat. 

 

Where do you play?

We’re all over the place. I’ve toured the whole country. The band has been to Key West and back. We play mostly New York, New Jersey, Pennsylvania, occasionally Florida, or I’ll travel elsewhere. I do solo as well. Solo is more versatile. The band is more original music. The solo act I play whatever people are asking for so it varies a little more.

 

What would you consider the sound of the band?

I always call it pop/rock/soul – think of it like Tedeschi Trucks Band, big fat sound, kind of classic sounding. 

 

How many people are in the band? 

We vary in that too. The band can be as small as a trio – we’re usually a four piece, we can add a trumpet player, backup keys and if we want, additional vocalists. We’ve had a lot of guests sing on our albums. 

 

Your new album came out in November – how would you describe it?

This one was more collaborative than in the past. A lot of the time I write all my songs, bring them to the band and we go do them. This one, I gave the guys the songs and everyone really changed them and added to them and some of them changed completely. This one sounds even more diverse, it has more influences in it. It’s a lot of super soulful and the lyrics are more mature. I would call it more of an adult album. 

 

Who are your musical influences?

My brother is ten years older than me and he’s a bass player. When I was a kid, he introduced me to Jimi Hendrix, Cream,  Kool and the Gang, Lenny Kravitz. I was super influenced by classic rock and that’s what made me want to play. When I was a kid, I told my mom I wanted to play the violin like Jimi Hendrix. When I got older, I loved 90s band like No Doubt. Then I found Nikka Costa as well. I love powerful female singer/songwriters. Nikka Costa and Gwen Stefani were my favorites – they’re so wild and energetic and you can feel it and see it when they perform. I feel like that was a huge influence on me. 

PHOTO: @jessrock87 IG

 

It’s weird because when I say No Doubt – “ I don’t think anyone has ever heard us and thought “you’re like No Doubt”. But lyrically, I’m a lot like Gwen Stefani. I put it all out here and am very honest and straightforward in performing. Usually we don’t do pop punk or ska, but consistently the biggest comment I get is “you’re so energetic and so happy!” That’s like her. She is so emotive on stage. I did absorb a lot of that. 

 

How did you get started playing music professionally?

I like to tell people, ten years ago when I started doing this, I didn’t think I could do this. I never dreamed I actually could. I wanted to do this my whole life, but as a kid, I was in orchestra and stuff, and I was never first chair. I went to school for public relations and journalism and got my Masters in music journalism. I specifically thought that if I can’t play music, I’ll just be around it. I loved writing about musicians. I was a full-time music editor/journalist, plus a radio DJ and I was also bartending. You just don’t make a lot of money in those positions.  I was really burning out. 

There was one day in particular that I did an interview with a blues singer. I was excited because she was a female, and 99.9 percent of people I interviewed for that job were men. I said, “tell me about writing this album, and how it was for you”. And she said “I didn’t write any of the songs – I get them, because they’re how I feel, but I didn’t write them.” 

And I thought, if you won’t do it, I will. I quit my job, went on a crazy cross-country trip, came back with a band called Sophistafunk, and I just thought, if they can do it, then I can do it. I didn’t come back with a plan, I just came back with the idea that I’m going to just play music. And if no one likes it, maybe I’ll stop. But maybe they will like it. 

I like to remind people, I’m not famous or anything, but I make a living playing music and teaching lessons and doing fun things like this. I want people to know whatever you want to do – play guitar around a campfire or start a business – you can do it. There are people everywhere that are proof of that. 

PHOTO: @jessrock87 IG

 

What advice do you have for someone who is looking to get into guitar but doesn’t know where to start? 

That was me! I bought a guitar when I was 16 and didn’t start playing it until I was in my 20s. 

It’s hard! I would say get the guitar, and don’t get frustrated. It’s really hard to start. Totally different muscles and movements and memorization – not just muscle memory but thinking memory. Don’t be afraid to start and know it’s going to be hard but within a month, you can learn songs. There are plenty of Bob Dylan songs that are three chords, super simple and you can get by and impress people. It’s fun once you get past those first hurdles. 

 

What do you think of the Fret Zealot system?

Their system makes complete sense. It probably would have changed my life if I used it when I was a kid, first learning. I teach a lot of lessons and that’s the hardest thing when you try to explain a chord for example – “put your first finger on the first fret of the B string” –  by the time you’re done, they’re like “what?”. Rather than looking at someone’s hand across from you, to just see it on your fretboard  is so much easier. 

 

What are some of the challenges your students face? 

A lot of it is frustration. For example, they’ll listen to a Chris Stapleton song, and I’ll ask “so what do you hear him doing?” and they’ll say “he’s just a good singer/guitar player”. And it’s like, yeah he is, but that doesn’t mean you can’t do that, you just have to work at it. Figure out what he’s doing, and figure out how to do it yourself. That’s one of the biggest frustrations or hurdles for kids especially, but adults too. 

A lot of people, especially kids, have this idea like “I can’t sing” and it gets reinforced by someone or something, like if they don’t make the musical or don’t get a solo. Whatever it is, they think “it’s just not an option for me”, and that’s just not true.

 

What’s your favorite guitar right now?

I bought a white Rancher Falcon Gretsch just over a year ago. It’s huge, it looks funny on me since it’s so big. I love that big deep sound – it’s white and gold, super flashy. If you’re going to have a guitar and be on stage and wear it, it should look great. 

 

You can find Jess Novak Band’s music on Spotify, AmazoniTunesApple Music, CDbaby and more. Follow them on Facebook, Twitter, Instagram, and TikTok

 

REVIEW: The Yamaha FG800 acoustic guitar is one of the best beginner guitars of 2022

Shane tried out the Yamaha FG800 acoustic guitar, available from the Fret Zealot store with the Fret Zealot system installed. 

Here’s what he thought: 

Yamaha FG800 Review! One of the Best Beginner Guitars of 2022?

“This is a favorite of mine from the Yamaha guitar line, a standard in the industry and an awesome all-around acoustic guitar. 

It comes in a natural finish and it has a nice-looking piece of wood on top with a tortoiseshell pickguard – a classic look, kind of reminds me of some of the Taylor guitar aesthetics. 

On the back of the guitar, you have a nice satin finish that makes for a nice comfortable feel on the neck, for your hand while you’re playing. I like the not-too-glossy smoothness on the back of the neck of the guitar, compared to the glossier finish on the rest of the body. Some special attention was put to the feel of the neck for the guitar-playing hand .

The fretwork along the guitar is really nice and that’s what  sort of defines the Yamaha FG800 to me – just the consistency, the quality throughout the different models. I’ve personally handled hundreds of this exact model and seen that they all play really nicely and Yamaha does a really good job of quality-controlling this instrument to make sure each one plays really well. The action is nice and comfortable, the neck is very easy to play.

 

 I’m finding this guitar really fun and responsive – it’s got a nice bright sound. I would definitely say this particular guitar is a slightly brighter-sounding guitar. It could be something to do with the strings, but it’s generally a bright tone. 

The headstock is painted with a darker-looking finish to give you a nicer contrast and there’s chrome hardware on the tuners. The tuners have a very solid feeling – I think the guitar stays in tune nicely. What I really enjoy about this guitar is just the consistent playability and how easy it is to pick it up and get on with a new song. 

It has a full-sized guitar body but it doesn’t feel overly big or anything. If you’re concerned about the size of your guitar, I’d say this is a comfortable shape with a nice, full sound coming from the 

Dreadnought-style FG800 guitar body. Yamaha makes it really simple with the FG800 –  just a straight-up, all-around acoustic guitar experience. I’m finding it really comfortable to play, and once again, that Yamaha consistency means I know what I’m going to get when I purchase it. 

MORE: Fret Zealot Acoustic Combo Packs 

That makes it a really fun guitar to play. I’m really enjoying the action and the feel. I imagine myself taking this guitar through its paces at home, learning a lot of different songs and I also imagine being able to take this to a gig where you’re not going to need an amp but it has the enunciation and projection to give you what you need at the coffee shop or small gig if you’re just getting started playing. Personally, if i were to look for a new acoustic guitar in this budget range, this would be one I’m considering because of what you get for the money. I think Yamaha puts as much detail and attention as possible into making this guitar feel and look and sound really great for the price you’re paying, and they’ve done a really good job of that. 

I also enjoy the shape of the neck – it’s a bit of a thinner profile so it doesn’t have as much of that thickness in the neck. Some people have preferences for more material in the neck, or not. I kind of enjoy both – this guitar is kind of giving you more of the slimmed-down neck profile – not super thin, but it definitely helps the playability and the sort of ease of play and for pushing your limits as a guitar player. 

This guitar is going to be very accommodating for trying to learn new songs, or learning for the first time as well. For players who want to have the comfort and the responsiveness of a thinner profile neck, you’re going to have that kind of playing experience with this guitar.”

Fret Zealot + Yamaha FG800 Dreadnought | Natural

In honor of Earth Day, here are some songs about environmentalism

April 22 is Earth Day. The annual event has been held since 1970 to demonstrate support for environmental protection. You can find Earth Day events in your area by clicking here.

Environmentalism – or just appreciation for nature – is a theme that’s expressed in lots of popular songs.  

Here’s a list of some environmentalism-themed songs in honor of Earth Day. 

 

John Denver – “Sunshine on my Shoulders” 

Denver – aka Henry John Deutschendorf Jr.- was one of the U.S’s best-selling artists of the 1970s. His songs frequently expressed a love of nature. “Sunshine”, which went to #1 on the Billboard Hot 100 in 1974, was inspired by a desire for spring. “I wrote the song in Minnesota at the time I call ‘late winter, early spring’. It was a dreary day, gray and slushy. The snow was melting and it was too cold to go outside and have fun, but God, you’re ready for spring,” Denver said of the song. “You want to get outdoors again and you’re waiting for that sun to shine, and you remember how sometimes just the sun itself can make you feel good. And in that very melancholy frame of mind I wrote ‘Sunshine on My Shoulders’.”

You can learn “Sunshine on my Shoulders” in the Fret Zealot app here.

Joni Mitchell – “Big Yellow Taxi” 

It’s been since covered by Amy Grant and The Counting Crows with Vanessa Carlton, but this 1970 was inspired by the singer-songwriter’s first trip to Hawaii. Mitchell told The Los Angeles Times in 1996: “I wrote ‘Big Yellow Taxi’ on my first trip to Hawaii. I took a taxi to the hotel and when I woke up the next morning, I threw back the curtains and saw these beautiful green mountains in the distance. Then, I looked down and there was a parking lot as far as the eye could see, and it broke my heart […] this blight on paradise. That’s when I sat down and wrote the song.” 

The Beach Boys – “Don’t Go Near the Water” 

The pioneers of the California sound have lots of songs that reference the ocean, but 1971’s “Don’t Go Near the Water” puts an environmentally-concerned spin on the theme, with lyrics like “Oceans, rivers, lakes and streams/Have all been touched by man/The poison floating out to sea/Now threatens life on land”. 

Johnny Cash – “Don’t Go Near the Water” 

The Man in Black had a track with the same name three years later on his 1974 album Ragged Old Flag. In the song, the narrator laments the pollution of natural waterways and tells his son that they can no longer eat the fish they catch from a stream. 

Marvin Gaye – “Mercy Mercy Me” (The Ecology) 

“Things ain’t what they used to be/Where did all the blue skies go?/Poison is the wind that blows/From the north and south and east”, Gaye sang on this 1971 track.  The song came from Gaye’s concept album What’s Going On, which tells a narrative from the point of view of a Vietnam veteran and explores poverty, drug abuse, and war.

Louis Armstrong – “What a Wonderful World”

Ending the list on a positive note is American jazz great Louis Armstrong’s 1967 single, which includes the lyrics “I see trees of green/Red roses too/I see them bloom/For me and you/And I think to myself/What a wonderful world”. Armstrong recorded the track overnight following a midnight show in Las Vegas, wrapping around 6 a.m. 

You can learn “What a Wonderful World” on the Fret Zealot app.

How to protect your hearing while playing music

When you’re ripping away at a new song, either by yourself or with a band, it can be tempting to crank the sound on your amplifier all the way up! 

However, even if the music doesn’t feel too loud, it can still be damaging to your hearing. 

The National Institute for Occupational Safety and Health (NIOSH) recommends that noise exposure not be over 85 dB(A) averaged over a daily eight-hour work shift. Most musicians don’t play that long per day – however, the louder the noise, the sooner it can harm hearing. 

“For instance, musicians who practice or perform at an average sound level of 94 dB(A) would begin to be at risk after only about an hour,” NIOSH says. 

Noise levels above 85 dBa can come from unexpected places. According to the Hearing Health Foundation, an example of 85 dBa is a busy school cafeteria or heavy city traffic. The average dBa of a subway platform is 95 dBa, personal listening devices at max volume can be 105 dBa, and a rock concert or a symphony orchestra is 110 dBa. 

According to the National Council on Aging, hearing loss in older adults is common and affects one in three people from the ages of 65 and 74. Click here for the NCOA’s recommendations and resources. 

A German study from 2014 found that professional musicians are four times more likely than non-musicians to report noise-induced hearing loss. 

Luckily, there are ways to protect your hearing while practicing or performing. 

You can use a dB meter during practice sessions to monitor the sound levels around you. You can find some apps that do this via a Smartphone. 

Get in the habit of using earplugs in loud environments – not just music venues, but also while using power tools or lawn mowers. You can buy disposable ear plugs at most drugstores. You can also buy reusable earplugs that are made of silicone or plastic, or get a pair of custom-fitted earplugs for the best results. Make sure they seal well in your ears! 

You can also get external ear protection (that looks like earmuffs) that goes on top of your ears. 

If you suspect that you might have noise-induced hearing loss, make an appointment with an audiologist for an evaluation.