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Learn these Adele songs on guitar with Fret Zealot
/by Kaley LynchBritish singer-songwriter Adele started playing guitar as a teenager, citing Amy Winehouse as her inspiration for picking up the instrument.
Many of her songs are fairly simple to play on guitar, making it easy to accompany yourself singing. You can learn these Adele songs with Fret Zealot.
Rolling in the Deep
This 2011 smash hit was written in a single afternoon by Adele and co-writer Paul Epworth. Adele had just broken up with her boyfriend, and the song was written as a reaction to “being told that my life was going to be boring and lonely and rubbish, and that I was a weak person if I didn’t stay in the relationship”, she told The Independent.
Chasing Pavements
Adele said that a fight with a former boyfriend inspired “Chasing Pavements”. She told ELLE that she had slapped him during the fight at a club and ran away, only to look back and see that no one was chasing her.
Someone Like YouAdele started writing “Someone Like You” on her acoustic guitar after finding out that her former boyfriend was engaged to someone else just months after their breakup.
Daydreamer
“Daydreamer” is the first track off of Adele’s first album, 19. She played guitar on the studio version of the track.
Skyfall
Adele wrote “Skyfall” with co-writer Paul Epworth for the James Bond film of the same name. The pair worked to capture the “James Bond feeling” of previous movies’ theme songs in the original composition.
Make You Feel My Love
Adele recorded a version of this song for 19, but the Bob Dylan-penned tune has been recorded by hundreds of artists, including Billy Joel, Michael Bolton, Boy George, Joan Osborne, Kelly Clarkson, and Pink. Adele wrote or co-wrote every other song on the album.
Hello
Adele played drums on this chart-topping song from 25.
Music recording terms you should know
/by Kaley LynchAre you looking to record your own music?
There’s a whole terminology of words relating to music recording that you should know before booking studio time, or learning how to record yourself on a Digital Audio Workstation.
Here are some terms you should know:
DAW: A Digital Audio Workstation (DAW) is an audio production software or platform designed for the recording, editing, mixing, and mastering of digital audio files. Some examples of popular DAWs are: Ableton, Logic Pro, Reason, Cubase, Studio One, Cakewalk.
Track (noun) – a single stream of recorded sound (usually of one instrument) in a song.
Track (verb) – The process of recording an audio track.
Arm – Preparing a track to record audio
Solo – Isolating a track so that you can listen to only the audio on the track
Mute – Silencing a track so you can hear how other tracks sound.
Gain – The amount of amplification for your mic’s signal
Monitor (verb) – Listening to an audio track as it’s being recorded
Phantom Power – Voltage that is sent to specific microphones to power the microphone
Mixing – Editing and putting together multiple tracks of audio into one final master track
Mastering – TPolishing and editing a master track with the intent of making it radio ready quality
Levels – How loud audio in a specific track is
EQ – Equalizer. EQs allow you to turn up or down portions of the audio spectrum higher or lower
Audio effects plugins – Audio effects allow you to alter the sounds of your tracks. You can apply audio effects to just one track or a group of tracks. There are an infinite number plug-ins available, but here are some of the most commonly used ones.
Equalizer Plugins – eliminate digital harshness, removes unwanted resonances, balance sounds
Compressor Plugins – used to “squash” your audio signal. Compressors reduce the dynamics of an audio signal so that loud parts get quieter and quiet sounds get louder.
Reverb Plugins – Reverb is an ambient effect that creates a series of audible reflections (think of the echo effect in an empty auditorium.
Vocal tuning – can slightly shift the pitch of a voice or instrument so that it’s correct.
MIDI Sequencing: MIDI or Music Instrument Digital Interfaces look like keyboards, but they send musical signals to your DAW, to be transmuted into whatever sound you’d like from the DAW library. This allows you to compose melodies, harmonies, and musical arrangements with virtual instruments within the DAW’s library.
Reverb – The audio that lingers around in a space after the source audio has finished. To get a sense of reverb, imagine singing in an empty concert hall vs. a closet.
Automation – Automation is used to create changes in dynamic in your project, like fading out a song at the end.
Audio exporting – when your project files are ready to be heard by others, you can export it – as a .WAV file for mastering or as stem files through .mp3s.
If you’re setting up your home studio, check out this course!
Home Guitar Studio Guide
Guitar techniques that look harder than they are
/by Kaley LynchIf you’re starting out on guitar, watching seasoned guitar players shred away can be a little intimidating. However, some guitar techniques that look and sound cool aren’t that difficult to play.
Here are some guitar skills that look more difficult to master than they actually are.
Power chords
If you’re memorizing the basic open chords like C, D, and E, something like a G5 might look funny to you.
Power chords are the building blocks for many punk, grunge, and alternative songs. Power chords are made up of just the root note and the fifth note, sometimes with the octave of the root note included. They’re different from major and minor scales because they’re neither major nor minor, and don’t include any other notes.
The tough part about mastering power chords is to strum only the strings inside the chord. Once you master that, you’ll be able to play many songs – like “Smells Like Teen Spirit” with ease.
Check out this Power Chord Workout for Guitar course to get started.
Fingerpicking
Fingerpicking gives songs like “Dust in the Wind” by Kansas and “Ain’t No Sunshine” by Bill Withers their distinct textures. When you fingerpick a song, you use your fingers to pluck the strings rather than strumming with your hand or a pick. It can take a little bit of time to get used to the different movement, but often you’ll be playing simple chord progressions, so it takes less brain power than it seems to.
Check out our Acoustic Fingerstyle – Level 1 course to get started!
Bending notes
“Bending” is when you play a guitar note and then push the string horizontally across the fretboard, changing the pitch. Eric Clapton uses this often in his playing, and it can be heard prominently in “Sunshine of My Love” by Cream.
Bending sounds high-level, but it’s fairly simple to learn. Check out Ultimate Lead Guitar Techniques to learn bending, and other impressive-sounding solo techniques.
Pinch harmonics
Pinch harmonics, aka pick or pitch harmonics, or “squealies”, creates a high pitched tone by silencing the main frequency of a note, allowing the overtones to come through. ZZ Top’s Billy Gibbons uses this technique frequently to make his solos more memorable – you can hear it used in “La Grange”.
It may take some work to learn how to incorporate pinch harmonics into your work, but to actually learn how to make that sound is not difficult. Check out Metal Essentials Level 1 to learn how to make this technique work.
Fret Zealot course of the month – August 2024
/by Kaley LynchEach month, we’re putting the spotlight on one of our favorite Fret Zealot courses!
Ultimate Lead Guitar Techniques
Instructor: Julian Cooper
Do you want to learn your favorite guitar solos for bands like AC/DC, Metallica, Led Zeppelin, but get tripped up on imitating their specific techniques? This course will take you step-by-step through the techniques you need to know for playing blues, rock and metal. Learn hammer-ons, pull-offs, and slides – and how to put them all together to emulate a certain sound.
This course also delves into using the chromatic scale, arpeggios and sweep picking, and tapping, and includes a play-though to practice what you’ve learned. Ultimate Lead Guitar Techniques will help mold you into an excellent soloist.
What We Like
Julian has a remarkable ability to simplify his incredible guitar skill into the basics that every aspiring guitarist is striving to conquer. He also makes heavy use of examples for each technique, so if you are a “learn-by-doing” kind of person, his courses will resonate with you! He also has a selection of atypical learning courses that focus on learning through examples in certain styles, even meditative, that aren’t your standard traditional basics.
Once you’ve complete this course, try it with the following lessons:
Am I Evil
Be Yourself
You Give Love A Bad Name
What you need for your first solo gig
/by Kaley LynchSo you’ve gotten comfortable playing guitar in public, maybe even played some open mics – what’s next? It’s time to play your first solo gig.
Here’s what you will need to play a solo gig:
A setlist
Whether you’re playing original songs or covers, a good rule of thumb is to have about 20 songs prepared per hour of performance time. Having enough songs ready gives you some flexibility to play songs that you think your audience will prefer, as well as give you options for encore songs if they want to hear more!
Print your setlist out ahead of time so you can glance at it as needed.
An iPad or lyrics binder (if you need it)
In a perfect world, you’d be able to memorize all the songs you’ll be performing. However, having a binder or iPad with your lyrics and chords is a good backup plan – especially if you’re performing songs you need a little bit of help remembering.
Your instrument and a cable
Self-explanatory! Make sure your guitar is in good condition and doesn’t need a change of strings. Also, it’s a good idea to pack picks, capos, and backup strings just in case. If your guitar requires batteries, pack extra.
Sound equipment
Make sure you communicate with the venue ahead of your gig. Some venues provide sound equipment, and some require you to bring your own.
Here’s a list of what you’ll need if the venue doesn’t provide a sound system:
This is the bare minimum equipment list. It will allow you to plug your instrument directly into the PA speaker as well as your vocal mic, and adjust the levels as you see fit. You may prefer to bring a separate amplifier for your instrument, or get a PA system with a mixing board to plug into to get better control over your sound. It’s also a good idea to get a small monitor so that you can hear yourself.
Extra cables
It never hurts to carry a couple of extra XLR or quarter-inch cables with you, even if your venue provides sound.
Set-up time
Try to arrive at least an hour before your gig to give yourself plenty of time to set-up, warm up your vocals and fingers, and tune your instrument. Not rushing to get ready will ensure that you can be relaxed and give your best performance!
Check out these other tips to make sure your gig is a success!
Obscure music genres to check out
/by Kaley LynchAre you getting tired of listening to the same thing? Check out these obscure music genres that are sure to give your playlist the refresh it needs.
Pirate Metal
Pirate metal is a genre of heavy metal that incorporates pirate-speak, nautical themes, and traditional sea shanties infused with metal.
Examples: Alestorm, Swashbuckle, Running Wild.
Kawaii metal
Kawaii metal, which was created in Japan in the mid-2010s, combines heavy metal and J-pop. Typical kawaii metal music combines traditional heavy metal instrumentation with J-pop style vocals and J-pop idol aesthetics.
Examples: Babymetal, Ladybaby, Passcode.
Nintendo core
If you love video games, you might love Nintendocore. This genre blends punk or heavy metal music with the electronic chiptune music associated with electronic chiptune music found in classic videogames.
Examples: An Albatross, I See Stars, The Octopus Project.
Lowercase
If you’re looking for something completely different, check out the lowercase music genre. Lowercase is a form of ambient minimalist music that is created by amplifying very quiet sounds, like handling paper.
Examples: Steve Roden, Bug Bus Piano, Roel Meelkop.
Glitchhop
Glitchhop is an EDM subgenre that combines EDM with hip-hop and “glitch” music – using digital artifacts and manipulated sounds and samples to create complex rhythms.
Examples: The Glitch Mob, Tipper, CloZee.
Find tabs for some of these obscure genres in the Fret Zealot app!
Bands that started off in a garage
/by Kaley LynchMany successful bands had humble beginnings – so if you’re currently playing in a garage or basement band, you’re in good company!
Here are some bands that started as garage bands:
Nirvana
P.B. Rage from USA, CC BY-SA 2.0 <https://creativecommons.org/licenses/by-sa/2.0>, via Wikimedia Commons
One of the most iconic grunge bands of all time, Nirvana got their start in the burgeoning grunge scene in Washington State. They held practice in many unassuming spots, including Cobain’s home and a friend’s barn in Tacoma.
The Ramones
UNSPECIFIED – CIRCA 1970: Photo of Ramones Photo by Michael Ochs Archives/Getty Images
Considered to be one of the first true punk rock bands, the original members of The Ramones met in the middle-class neighborhood of Forest Hills in Queens. John Cummings and Thomas Erdelyi had been members of a garage band in high school called Tangerine Puppets.
The Who
In the 1960s, Pete Townshend, Roger Daltrey, and John Entwistle created a band in a West London garage called “The Detours”. The band would later gain drummer Keith Moon and rechristen themselves as The Who – one of the biggest stadium rock bands of all time.
Weezer
David Lee from Redmond, WA, USA, CC BY 2.0 <https://creativecommons.org/licenses/by/2.0>, via Wikimedia Commons
Weezer’s early days took place in the “Amherst House”, a small rented house in LA. The band rehearsed and even recorded early demos there. They paid tribute to their origins with the song “In the Garage” off of their debut album.
Creedence Clearwater Revival
The “Proud Mary” songsters started off as a high school garage band called The Blue Velvets, playing school dances and sock hops in the 1950s in the suburbs of San Francisco.
These are some of the most iconic music videos of all time
/by Kaley LynchMusic videos can take a popular song into the stratosphere – whether they introduce a new dance craze, feature cameos from popular actors, or influence fashion trends for years to come.
Here are just a few of the most iconic music videos of all time:
“Thriller” – Michael Jackson
A short film directed by American Werewolf in London director John Landis, the 1983 video for Michael Jackson’s “Thriller” gave the world an enduring dance craze that still reawakens every Halloween season.
“Bohemian Rhapsody” – Queen
The music video for “Bohemian Rhapsody” is credited as being one of the first music videos (as we know them) ever. It was released in 1975, seven years before the inception of MTV, to promote the song on BBC’s Top of the Pops.
“Single Ladies” – Beyonce
The simple, yet cinematic black-and-white video for “Single Ladies” introduced a new dance to the world and won Beyonce three 2009 MTV Music Video Awards.
“November Rain” – Guns ‘n Roses
The music video for “November Rain” is based on a short story by writer Del James called “Without You”. The video is a nine-minute rock opera that stars the band and Axl Rose’s girlfriend at the time, model Stephanie Seymour. In 2018, it became the first video created before YouTube to surpass one billion views on the platform.
“Smells Like Teen Spirit” – Nirvana
The music video for 1991’s “Smells Like Teen Spirit” featured the band playing at a high school pep rally that ends in a riot. The music video, the first ever for director Samuel Bayer, was inspired by films like Over the Edge (1979) and the Ramones’ film “Rock ‘n’ Roll High School (1979). A former MTV executive said that the music video changed the entire look of MTV and gave them a new generation to sell to.
“Goodbye, Earl” – The Chicks
The video for “Goodbye, Earl”, The Chicks’ 2000 murder ballad, follows the song’s narrative of best friends Wanda and Mary Ann, who dispose of Wanda’s abusive husband Earl with some poisoned black-eyed peas. The end of the music video features a “Thriller” parody, with zombie Earl joining Mary Ann and Wanda, the band, and the rest of the town in a slightly unhinged dance sequence.
TLC – No Scrubs
In 1999, at the verge of the new millennium and Y2K craze, TLC helped usher in a sleek, futuristic aesthetic which would be echoed in the fashion, technology design, and other music videos of the next few years.
You Belong With Me – Taylor Swift
Taylor Swift played two opposing characters in the 2009 music video for “You Belong With Me” – a nerdy girl and a cheerleader. The video won “Best Female Video” at the 2009 MTV Music Video Awards, prompting the famous moment when Kanye West interrupted Taylor’s acceptance speech.
Fell in Love with a Girl – White Stripes
The video for “Fell In Love With a Girl” is made out of Legos – literally. The video was shot frame-by-frame as the bricks were rebuilt to give the illusion of motion. Since The White Stripes weren’t able to strike a deal with the Lego company, they had to buy all of the Legos themselves.
Take On Me – Aha
One-hit wonder Norwegian synth-pop band A-ha achieved huge success with their 1985 hit “Take On Me” – largely thanks to the song’s creative music video, which featured a live-action animation sequence. The video took six months to create and took home six awards at the 1986 MTV Video Music Awards.
Learn these Red Hot Chili Peppers songs with Fret Zealot
/by Kaley LynchThe Red Hot Chili Peppers are one of the top-selling bands of all time. They formed in Los Angeles in 1982 by singer Anthony Kiedis, guitarist Hillel Slovak, bassist Flea, and drummer Jack Irons, who met in high school. Kiedis and Flea are still in the current lineup of the band.
Red Hot Chili Peppers’ style of music, which incorporates alternative rock, funk, punk rock, hard rock, hip hop, and psychedelic rock, has influenced many other genres, including nu metal and rap rock.
You can learn these Red Hot Chili Peppers songs with Fret Zealot.
Californication
“Californication” is the title track of the RHCP’s 1999 album. It’s also the name of a popular show on Showtime. The band sued the network in 2007 over the show’s name, but the network pointed out that “Californication” had been printed in a Time magazine article in 1972. The lawsuit was settled out of court in 2011.
Under the Bridge
Producer Rick Rubin found a poem called “Under the Bridge” in Kiedis’ notebook while the band was creating Blood Sugar Sex Magik (1991). He asked Kiedis to show it to the rest of the band, which he did, even though he felt the poem’s emotional lyrics didn’t fit the vibe of the band.
Scar Tissue
The video for this 1999 hit featured guitarist John Frusciante driving a car with the band inside down a desert highway, a metaphor for him returning to the band after the first time he quit. But Frusciante doesn’t drive in real life!
Can’t Stop
The video for this 2003 hit includes Frusciante playing an orange Toronado and a silver Fender Stratocaster, both under five years old – but in real life, he doesn’t own or play any guitars made after 1970.
Want to learn how to play guitar like John Frusciante? Check out this player study course!
History of recorded music
/by Kaley LynchHave you ever wondered how music started being recorded? Today, there are many ways to record music – including simply using the recording feature on your phone.
Music recording has evolved along with technology in waves over the centuries. Here is a brief history of sound recording:
Pre-1877
Ancient Christmas Carol in Galician-Portuguese.
Before Thomas Edison’s 1877 invention of the phonograph, people had no way of recording music except for musical notation. Thanks to musical notation (which dates back as far as 1400 BCE in ancient Babylonia, now Iraq), we have access to musical pieces written before 1877 – from Mozart and Bach to ancient Greek compositions. However, it was impossible to know exactly what they sounded like until..
1877
In 1877, Thomas Edison invented the phonograph, which could record sound and play it back. Earlier inventions were able to record sound but not play it back, including the phonautograph. The first audio recording Edison made was himself reciting “Mary Had a Little Lamb”. Those first recordings were made on tinfoil, and could only be played a couple of times. However, it was revolutionary for the time period. Soon, other inventors including Alexander Graham Bell and Emile Berliner were also experimenting with sound recording. The Smithsonian National Museum of American History has about 400 of the earliest recordings ever made, from about 1878 to 1898, using materials like rubber, beeswax, glass, tin foil and brass.
Acoustic Era (1877 to 1925)
Part of a series of pictures depicting Frances Densmore at the Smithsonian Institution in 1916 during a recording session with Blackfoot chief Mountain Chief for the Bureau of American Ethnology.
The first wave of sound recording technology was purely mechanical. Rather than using microphones or other instruments, instrumentalists, singers, and speakers would play/perform into a bell-shaped horn that gathered the soundwaves toward a thin film at the horn’s small end. The soundwaves would cause the film to vibrate, which moved a stylus that etched the soundwaves into a rotating disc of wax. To play back these recordings, a mechanical reproducing machine reversed the process. A needle was attached to a film known as a sound box or reproducer, which was attached to a tube called the tone arm. The needle running over a recorded disc would make the film vibrate and create soundwaves.
Electrical Era (1925 – 1945)
In 1925, Bell Telephone Laboratories lead by Western Electric engineers Henry Harrison and Joseph Maxfield changed the game by inventing an electrical phonograph recording system that used Condenser Microphones to record. The microphone would connect to a tube amplifier which fed the amplified signal to an electromagnetic disc cutting head to produce records. This new recording system expanded the range of frequencies that could be recorded and greatly improved how recordings sounded. Sound could now be captured, amplified, filtered, and balanced electronically. Records began to be mass-produced. Starting in 1927, sound started to be used in film.
Magnetic Era (1945–1975)
The tape recorder aboard Mariner 4 spacecraft, on a mission to Mars, used for data storage.
In 1930s Germany, a new form of recording – magnetic tape recording – was developed. It was used for broadcasting in Germany but was restricted to the country until the end of WWII, when Allied Forces obtained and distributed it. The use of magnetic tape meant that recorded programs were nearly indistinguishable from live ones – the sound quality was that much better. Magnetic tape was used for the development of the first hi-fi recordings for consumers, as well as multitrack tape recording. It made editing sound easier for sound and movie engineers.
Magnetic tape recording made possible a range of new sound recording implements – including 12-inch LP discs and 7-inch singles, cartridge and compact cassette tapes, and cassette tape players.
The Digital Era (1975–present)
Promotional CD single of the radio edit of the 1997 song “Let Down” by English rock band Radiohead./Capitol Records
The Digital Era has transformed the way we listen to music. Compact discs (CDs) were introduced during this timeframe, but by the beginning of the 20th century, they were rendered nearly redundant by the popularity of digital audio files. Commercial innovations like iTunes and Apple’s iPod made it easier to download and take music with you. Unfortunately, this internet-based method of distribution led to unlicensed distribution of audio files, causing headaches for copyright owners. Since the late 2000s, streaming services such as Spotify and Pandora have outpaced the download of digital music.